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Author Archives: Sanchari Sur

Collecting/Telling/Writing Stories by Bilan Hashi

I was in transit at Dubai. People watching and collecting stories. There were women in saris, men in dashikis, the pilgrims for Ummrah wrapped in their white cloths: traditional clothing a backdrop against the modern lines of the terminal. The airport’s status as an international hub was evident as conversations in different languages overpowered the… Continue Reading Collecting/Telling/Writing Stories by Bilan Hashi

On Pieces and My Pelvis by Jess Taylor

“The crack’s in me,” I said heroically. – F. Scott Fitzgerald, “The Crack-Up”. I drew a picture of myself once as a blue alien figure, without form or face, looking out of a window. From the chest, a rod ran up through the page and down through the ground, piercing the figure in two. I… Continue Reading On Pieces and My Pelvis by Jess Taylor

Creating Beauty through Poetry: An Interview with Shirley Camia

Shirley Camia is a Filipina-Canadian poet. She is the author of four collections of poetry: the forthcoming Mercy (Turnstone Press, 2019); Children Shouldn’t Use Knives (At Bay Press, 2017), 2018 winner of The Manuela Dias Book Design and Illustration Award (Book Design) at the Manitoba Book Awards, and an Honourable Mention in Poetry at The Alcuin Society Awards for Excellence… Continue Reading Creating Beauty through Poetry: An Interview with Shirley Camia

Poetry and its Preoccupations: An Interview with Annick MacAskill

Annick MacAskill’s debut collection of poetry, No Meeting Without Body, was published by Gaspereau Press in the spring of 2018. Her poems have appeared in journals such as Grain, Room, Canadian Notes & Queries, Prism, Versal, Arc, The Fiddlehead, and The Antigonish Review. She has also been selected as a finalist for prizes including the CBC Canada Writes Poetry Prize, the Edna Staebler Personal… Continue Reading Poetry and its Preoccupations: An Interview with Annick MacAskill

What Stupefaction can do for Fiction: On Photography and Writing

Jatra, Poush Mela, Shantiniketan, India. Dec 23 2013. This photo forms the basis of the opening scene of a short story I am currently working on. The story is also set in Shantiniketan.   It is dusk. Kishmish lies on a patch of grass and stares upwards, attracted to the dragonfly whizzing around his head,… Continue Reading What Stupefaction can do for Fiction: On Photography and Writing