Sunny Ways

An off-beat examination of the denials that underpin extractive capitalism.

From the cratered lake of Chennai, India to the environmental racism of Neon Genesis Evangelion’s Tokyo-3, Sunny Ways oscillates between images of environmental collapse and resistance.

Standing waist deep in the massive tailing ponds of Alberta’s Tar Sands, Sunny Ways wades through the tangled complicities of climate catastrophe. In the process, the book grapples with the failure of political hope and the intransigence of climate change denialism. Fitzpatrick channels his experiences growing up in the big sky economic pragmatism of Calgary, where oil pays the rent and puts food on the table, into an essayistic pair of long poems that echo the ecological poetics of writers like Rita Wong, Stephen Collis, and Juliana Spahr.

ryan fitzpatrick is the publisher of the online-based and poetry-focused Model Press. He was on the editorial collective of filling Station magazine and helped found the Flywheel Reading Series. He is the author of four books of poetry, including Sunny Ways (Invisible Publishing) and Coast Mountain Foot (Talonbooks). A former resident of Calgary and Vancouver, ryan now lives in Toronto.

“In this caustic missive from life’s precipice, ryan fitzpatrick rejuvenates the storied pact of lyricism and ecology for our colonial present. Neither either/or nor neither/nor, fitzpatrick’s mordant inventorying of capitalism’s last crisis resists psychic despair and millenarian elation at once; making a refrain of negation and a torrent of its double-edged critique. In its abstentions and anathemas, essays and eddies, Sunny Ways jams its own sources as it lucidly refuses the hegemony of good cheer.”—Cam Scott, author of The Vanishing Signs

“fitzpatrick’s work increasingly embraces an aesthetic core shared with what has long been considered a Kootenay School of Writing standard—a left-leaning worker-centred political and social engagement that begins with the immediate local, articulated through language accumulation, touchstones and disjointedness… [However,] fitzpatrick responds to the specific concerns of his Alberta origins, emerging from a culture and climate that insists on enrichment through mineral extraction even to the point of potential self-annihilation.”—rob mclennan

Praise for Coast Mountain Foot:

“The lyric flux of ryan fitzpatrick’s poetry performs the ‘social intimacy’ at play when home is not a ‘static container.’ The poems pose an intimate tension questioning the spaces that fluctuate between living and working, renting and thinking, the coast and the foothills. These are neighbourhood songs of the self.”—Fred Wah, author of Music at the Heart of Thinking

“In Coast Mountain Foot, ryan fitzpatrick enacts the empathy required to imagine spaces of possible connection outside capital. Charting the rapacious millionaire settler class currently reshaping cities everywhere, he presents Vancouver as a history of displacement, Calgary as a history of paving over. What holds a city together when everything is monetizable? Here in the struggle, fitzpatrick has carved out a space to form a social bond, if only for the length of a line.”—Nikki Reimer, author of My Heart Is a Rose Manhattan

“‘No / solutions, only problematizations’ are on offer in fitzpatrick’s poems, which at turns offer biting critique, sidelong jokes or thoughtful questions … Through it all, fitzpatrick displays real command of the line, but resists showiness or performing emotion the way too many poets do, and the resulting poems ‘Don’t get / too sentimental // but don’t / abandon sentiment.’”—Winnipeg Free Press