Author Archives: invisibort

Editor’s View: The Quiet Is Loud

Following the publication of The Quiet Is Loud, editor Bryan Ibeas discusses the revelatory experience of working with an author who shares his heritage, and the multi-layered search for belonging in Samantha Garner’s debut novel. I’ve already had plenty of conversations elsewhere about how life-changing it was for me, an editor of Filipino-Canadian heritage, to […]

Translator’s View: The Philosophy of Gardening

Following the publication of The Philosophy of Gardening, translator Karen Caruana considers what it means to be gardening through the second summer of a pandemic and reflects on the relationship between translation and travel. It’s June 2021 and I find myself sitting at my computer, staring out the window onto a scene green with leafed-out […]

Editor’s View: On Prologue to Love

To mark the publication of Prologue to Love, series editor Bart Vautour considers what makes Martha Ostenso’s 1930s novel as relevant and interesting now as it was when it was first released. Happy publication day! Perhaps it’s somewhat odd to write in present tense about the publication of a book that was first published almost […]

Editor’s View: On Enya

To mark the publication of Enya: A Treatise on Unguilty Pleasures, series editor Del Cowie reflects on the decision to acquire Chilly Gonzales’s irreverent book about Enya and musical taste for the Bibliophonic series. When I first heard that Montreal-born, Berlin-based maverick pianist Chilly Gonzales had written a book about the enigmatic and mysterious Irish […]

Editor’s View: On Be Scared of Everything

To celebrate the publication of Be Scared of Everything: Horror Essays, editor Andrew Faulkner looks back on the personal and literary transformations that occurred within—and beyond—the book. Confession: I edited a book called Be Scared of Everything: Horror Essays and I don’t like horror.  Or, at least, I didn’t like horror.  Then I met Peter […]

Translator’s View: On Daniil and Vanya

To celebrate the publication of Daniil and Vanya, translator Michelle Winters reflects on the surprisingly visceral experience of translating Marie-Hélène Larochelle’s novel into English. Before I tell you about translating Daniil and Vanya, It’s important you know that I’ve watched The Human Centipedes I through III. The grisly discovery in the farmer’s field – I’m the first online to […]

Read an excerpt from Swimmers in Winter

Certain Women meets The Mars Room in Swimmers in Winter, a sharp and stylistic debut collection by Faye Guenther published in August 2020. Swimmers in Winter swirls between real and imagined pasts and futures to delve into our present cultural moment. These are soul-searching, plot-driven character studies. Read an excerpt from the story “Flood Lands” […]

Editor’s View: On Swimmers In Winter

A black speech bubble holds the words Editor's View: Swimmers in Winter and a cover of the book Swimmers in Winter on an ipad screen.

To celebrate the publication day for Swimmers in Winter, editor Bryan Ibeas reflects back on the characters and circumstances that make Faye Guenther’s book so compelling. It’s been a few months and an eternity since I last worked with Faye on Swimmers in Winter, so looking back at the book is proving to be an […]

List of #virtualbookfair sales

Can’t make it to #AWP2020? Support small presses by shopping online using the hashtag #virtualbookfair – we’ve collected a list to get you started. Invisible isn’t at AWP (erring on the side of caution, supporting good public health policy, etc.), but all our books are $15, no discount code required. SPD Books – All books […]

One Good Question: Seyward Goodhand and Andrew Forbes

Photo of Andrew Forbes and Seyward Goodhand with post title One Good Question in a speech bubble between them.

One Good Question is a series in which two authors ask each other a single question. In this installment, Andrew Forbes and Seyward Goodhand talk about literary neighbourhoods, eating artichokes with Doris Lessing, and do their best to squeeze in more questions. Andrew Forbes: Genre tags are, of course, problematic. At best they’re reductive, and at […]